Set in a small town, Noise follows protagonist Graham McGahan (Brendan Cowell), an ordinary bloke, who also happens to be a policeman. Afflicted by a ringing in his ears, the film centers on his interactions with members of the small community in the aftermath of a particularly disturbing and violent set of murders.

This is a quiet film, punctuated with sharp and intense sequences, building tension and atmosphere very effectively, not least through the portrayal of the increasing effect of Graham’s tinnitus. The high-pitched sound that pervades his head mirrors the unsettling undercurrent that runs through Noise, creating a mood of jarring disquiet.

Australian cinema appears to have taken on a somewhat dark aura in recent years, and Noise is no exception to this trend. This is quite a dark film, concentrating hard on mood, but also realism. Noise deals with tragedy and it’s aftermath, with social isolation and loss of connections between people. This type of social drama/crime film has been quite prevalent in Australian cinema lately, with films such as Lantana, Look Both Ways, Little Fish and Jindabyne, to name just a few. Admittedly, I almost overlooked it on this basis; however I am now quite glad I didn’t. This filmic trend towards the depiction of the depressing may look just that, but having produced so many high quality efforts including those mentioned earlier, Noise fits well within these ranks, not just in terms of theme, but also in terms of artistic merit.

Along with the film’s highly realistic dialogue, there is a quality of uncertainty in the characters that is true to life, a subtlety in the performances which makes them believable. The acting by the largely unknown cast is definitely solid, and the utilisation of the Australian vernacular certainly adds to the film’s charm.

From the stirring opening sequence of the film to the affective final shot, the cinematography is stunning, every scene superbly framed, unconventional angles and close-ups creating beautiful sequences.

The score should be mentioned, as excellent — it is well-devised and an important component of the film’s effectiveness. The motif of an unwelcome and aggressive ringing in the protagonist’s ears, buried just beneath the surface and threatening a deafening explosion, is a metaphor that is powerfully employed.

All of the elements of Noise combine to ensure it is (as the title might suggest) a sensory experience, and a thoroughly absorbing film from start to finish.

Highly Recommended: 4/5

Posted November 3rd, 2007 under Movie Reviews.
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